This is the groove of Michael Jackson’s “Billie Jean” taken apart: Louis Johnson’s bass line on its own, then the drums on their own. Together they’re one of the most recognizable rhythm sections in pop. Isolated, you can hear how little each part does, and how much that restraint matters.
Isolated bass
Isolated drums
What to listen for
- The bass never stops. The line repeats almost unchanged through the whole song. Listen to how evenly every note is played. That consistency is what makes the track feel hypnotic.
- Space in the drums. The beat is simple and steady, with very little fill work. On its own you can hear how dry and close the drums sound, which is a big part of the record’s tight, punchy feel.
- Bass and drums locking together. Play the two videos back to back and notice how the bass notes sit right against the kick drum pattern.
About the recording
“Billie Jean” was written by Michael Jackson and released in 1983 as a single from Thriller (1982), produced by Quincy Jones with Jackson and engineered by Bruce Swedien. The bass was played by Louis Johnson of the Brothers Johnson. The single spent seven weeks at No. 1 on the Billboard Hot 100.
Hear Michael’s lead vocal on its own in our Billie Jean isolated vocals post, and find more on the Michael Jackson isolated tracks page, including Beat It and Smooth Criminal.
FAQ
Who played bass on Billie Jean?
Louis Johnson of the Brothers Johnson played the bass on Michael Jackson’s “Billie Jean”.
What album is Billie Jean on?
Thriller (1982), produced by Quincy Jones and Michael Jackson.
Are there isolated vocals for Billie Jean?
Yes. See our Billie Jean isolated vocals post.
Want to make your own isolated track of any song? See our guide: Isolated Tracks: What They Are, Where They Come From and How to Make Your Own.
